THE first stage adaptation of The Verdict, best known as a 1982 Sidney Lumet film, stops at Salisbury Playhouse until 11th March, the sixth venue of a 12-stop UK Middle Ground Theatre tour. This Margaret Mary Hobbs adaption of Barry Reed’s novel, directed by Michael Lunney, keeps the audience holding its breath. It’s a story…
HOW would it be, 40 years on? I was frankly curious to see if this play, that seemed so effortlessly to have skewered the social pretensions and fragile egos of the far from swinging 70s, had lasted the course? I wondered if it would seem dated, a period piece with pineapple and cheese on sticks,…
AFTER my glowing review of their their production of Princess Ida last Summer, Bath Gilbert and Sullivan Society invited me to their Old Time Music Hall. I drove to the Mission Theatre this afternoon amidst the traffic chaos caused by a home rugby fixture exacerbated by roadworks and an accident, arriving just in time, and…
FORGET Burns Night – we’ve got Barnes Night, and if the inaugural Supper Celebration of William Barnes, The Dorset Poet, was anything to go by it should become as popular a date in the calendar for Dorset folk as Burns is for everyone who loves Scotland, poetry and a good time! The traditions of Burns…
MERE Amateur Dramatic Society’s pantomime is usually the last in the season, and this year they gave their devoted audience the favourite story of them all, Cinderella. Taken from an original script by Pip Brown, Allan Glide and Chris Wood, this was Merely the story of Cinders, packed full of local references, awful jokes and…
Junkyard, Bristol Old Vic and touring IN 1979, some years before the coining of the term “sink estate”, the community of Lockleaze in north eastern Bristol was still reeling from the adjoining M32 opened four years earlier, and petty crime, unemployment and despondency were rife. It was then that the Baroness Allen of Hurtwood’s…
GERMAN playwright Marius von Mayenburg is one of the most prolific of his generation, and his 2015 play Stuck Plastik makes its UK debut at Bath’s Ustinov Studio, opening the Spring German season and on stage until 25th March. In its brilliant Maja Zade translation, and now called simply Plastic, it is a scintillating, hilarious…
DIRECTOR Richard Twyman, only the third “guest” in the company’s 19 year history, has joined Shakespeare at the Tobacco Factory for the 2017 season opener, Othello, in its second production on the former cigar packing floor of the converted Wills building in Bedminster. The young director, who has recently taken over the reins at English…
Wagner: Lohengrin: Prelude to Act I Schumann: Cello Concerto Wagner: Lohengrin: Prelude to Act III Schumann: Symphony No. 3 ‘Rhenish’ Bournemouth Symphony Orchestra, leader Amyn Merchant Kirill Karabits conductor Steven Isserlis cello NO love was lost between Wagner and Schumann, who both found themselves in Dresden in 1849. Broadly, Wagner was the revolutionary…
TAKE a closed, out-of-season hotel, a classic horror story, one of the world’s most exciting directors and a group of adventurous and multi-talented students and you are guaranteed an immersive theatre experience. Yes, immersive experiences are a bit of cliche in contemporary theatre but this was the real deal. We were swept into the increasingly…