THE Mowlem Theatre at Swanage has stood proudly overlooking the sea for almost 60 years, sometimes battered by winds, rain and even snow. But now the old roof is leaking and the theatre has launched an urgent crowdfunding appeal for £10,000 to stop the leaks and save the building. This much-loved community space has a…
THERE is no question that Venice makes an indelible impression, and that mixture of enchantment, beauty and menace was never better captured than by Nic Roeg’s 1973 masterpiece Don’t Look Now, with Julie Christie and Donald Sutherland at its heart. In 2007 playwright Nell Leyshon created a stage adaptation of the Daphne du Maurier short…
THE new exhibition at the top floor gallery at Poole’s Lighthouse art centre is an inversion of the usual form of words describing artworks. The Art of Poetry, running to 22nd November, is art created in response to the written word. Technically described as the reverse of the literary device of ekphrasis, in which language…
NOTHING explores the depths of emotion and drama like a great movie melodrama, and a new season of films at Poole’s Lighthouse arts centre, starting on 4th and ending on 26th November, sets out to celebrate the genre with a programme that ranges from Whatever Happened to Baby Jane? to Baz Luhrman’s Romeo and Juliet….
MATINEE audiences can be tricky – there are some wonderful stories about remarks made by elderly ladies at matinee performances of Waiting for Godot. The principally late-middle-aged audience that filled Bristol Old Vic to watch this beautifully staged 1930s-style production, were definitely not a great asset to the cast, with their muted and slow reactions…
A FAVOURITE saying of my father, when he had just driven a nice new, but underpowered car was “Lovely bodywork and interior, but couldn’t pull your cap off your head”. It is nowhere as drastic as that, but in many ways, under Loveday Ingram’s carefully structured direction, Ann-Marie Casey’s stage adaptation of Louisa May Alcott’s…
PUCCINI’S Madama Butterfly, one of the great staples of romantic opera, is so well known for its earworm Humming Chorus and its aria Un bel di (One Fine Day is a highpoint in every soprano’s repertoire), that you sometimes don’t remember what the story really says about American imperialism and the very different religious and…
THERE is something new about the programme for Shaftesbury Arts Centre’s latest production. It is square and the cover names writer Charles Dickens, and, in type just a little bit smaller, adaptor Neil Bartlett and director Diana Banham. In recent years Dickens classics have been dissected and reconstructed by many theatre companies, turning their backs…
AS I entered and exited Bristol Hippodrome, there was an eerie feeling of the ghost of the clergyman who organised a protest when Gracie Fields, on a visit to Bristol, closed her show with a version of The Lords Prayer. What he would have made of Trey Parker, Robert Lopez and Matt Stone’s irreligious satire…
KEN Ludwig has a literary CV that most authors only dream about, and as he has already shown with his adaptation of Murder on the Orient Express, he knows how to create those well- known and much-loved Agatha Christie characters on stage. In this touring production he is aided and abetted by his production team….