PROKOFIEV: Symphony No 2 KORNGOLD: Violin Concerto TCHAIKOVSKY: Fantasy Overture: Romeo and Juliet AT first glance, the programme for this concert looked as if it would attract only die-hard regulars: the least-played and least-popular symphony of Prokofiev, a concerto by a marginal and obscure twentieth-century composer and a possibly rather hackneyed and overplayed piece by…
THE latest show from Dorset-based Dramatic Productions is a new version of the Scottish play by John Foster. He has set the murder drama in 2070, when Earth is a distant memory and those who escaped the conflagration have decamped to Mars and taken over, ousting the native Chuckleheads (?). The story opens as Captain…
SATIRIST, musician and performer Frank Wedekind offended his audience with his first play, the semi-autobiographical Spring Awakening, written in 1891 and not staged for 15 years – and that was just how he wanted it to be. Written partly as a response to the oppressive German education system of the time, which resulted not only…
MARC Camoletti’s farce, written in French in 1960, translated into English the following year, and revived to great acclaim in 2007, is listed in the Guinness Book of World Records as the most performed French play in the world. For two nights in Yeovil this week, audiences were transported back to the early 1960s in…
DEATH and the Ploughman was written in 1401 in Bohemia by Johannes von Saaz, who penned the text, so the story goes, the day after his wife died in childbirth. Refusing simply to accept this turn of fate, von Saaz (as the Ploughman) and Death lock horns in an epic journey. Saturday’s performance was given…
DYLAN Thomas’s 1954 radio play Under Milk Wood, and its many subsequent stage productions, lulls its audiences into the bucolic rhythms of an imaginary Welsh fishing village, weaving its way round quickly-familiar streets as it introduces the colourful characters. Set over the course of one ordinary day, it peeps into the life of the blind…
“NOBODY puts Baby in the corner.” A fairly simple statement, about the main character in a 1987 film, which provoked the biggest cheer and longest ovation of this evening’s stage presentation of Dirty Dancing at Bristol, from an audience most of which was very familiar with every line, move and song in the story. Having…
YOU just never know what will appeal to an audience these days. Ayckbourn used to be a sure fire hit, but recent productions both professional and amateur, have seen bank of empty seats. When Yeovil’s Swan Theatre decided to perform the old favourite She Stoops to Conquer, with Goldsmith no longer on the set book…
MARK Ravenhill’s stunning adaptation of Bertolt Brecht’s A Life of Galileo was first staged at Stratford-upon-Avon a year ago, and now the production, by Roxana Silbert for the RSC, has been revived by Theatre Royal Bath and Birmingham Repertory Company. Performed almost entirely in modern dress on a set using Go-Pak tables, steel mobile safety…
IF you stand beside the Bincombe Bumps, neolithic barrows between Dorchester and Weymouth, at mid-day, you will hear music. Well, that’s what the legend says – and that legend is just one of the aspects of the South Dorset Ridgeway captured in felt and textile art at Land Felt, the spring 2014 touring exhibition from…