THE last time The Beatles appeared in concert, apart from their well-publicised show on top of the Apple building a year before they finally split up, was at Wembley in May 1966, before many of their most famous songs had been written or recorded, let alone performed live. The beauty of a show such as…
AS a student scientist in the 1970s, Malcolm Green and a fellow undergraduate spent three months on a tiny uninhabited island in the Vestmann archipelago off the western coast of Iceland. They were there to study and record the breeding lives of the seabirds and particularly of the shearwater, tiny elegant birds, which migrate from…
THE Paul Reakes version of Goody Two Shoes throws away the original story to create a pantomime that includes all the essential elements of the genre. It was that version that Tarrant Valley Players chose for their 2016 show, packing out the Anne Biddlecombe Hall in Tarrant Keyneston for its three night run. The Players…
THE audience at the latest Arts University Bournemouth production had a Brechtian experience at the reconformed Pavilion Dance, but the question has to be whether David O’Shea’s interpretation was more style than substance. There should be nothing comfortable about the German playwright’s works, which are specifically aimed at suppressing emotional involvement to give the audience…
PRINCIPAL boys are becoming an endangered species in professional pantomime – apparently young audiences brought up on boy bands and “reality” television shows find it hard to accept the idea of a girl dressed as a boy. But the tradition lives on in amateur panto, and at Shaftesbury this year, director Rosie King has not one…
Don’t just see it – be it! So read the G&S4U publicity for Saturday’s HMS Pinafore at Salisbury Playhouse. Under the energetic direction of Ian McMillan, we, as members of the audience, were being invited to become a vast chorus of sailors, sisters, cousins and aunts and, clutching union jacks, to set sail on the…
THE Sally Cookson directed, company-devised adaptation of Jane Eyre, first seen at Bristol two years ago in its two-part, four-and-a-half-hour version, has been abridged to three hours plus, and has been enthralling audiences at the National Theatre in recent months. Now it is back in Bristol until 6th February, and those with good memories and…
Dutilleux: Tout un monde lontain Tchaikovsky: Manfred Symphony Bournemouth Symphony Orchestra, leader Amyn Merchant Kirill Karabits: Conductor Jean-Guihen Queyras: Cello THIS year the centenary of the French composer Henri Dutilleux is being commemorated in a series of events on Radio 3, and this concert was the BSO’s contribution. Dutilleux died three years ago at a…
JACQUELINE Wilson’s story Hetty Feather, originally published in 2009, has been a hit with young readers ever since, spawning several sequels one of which is about to be published. The Bath born writer was delighted when producer Mark Bentley suggested bring Hetty to the stage, and from its earliest outings at The Rose in Kingston,…
JUST less than a year ago, Amy Kemp (pictured right) was playing the lead in a youth theatre production of Spring Awakening at the Swan Theatre. Now she’s back as director of David Auburn’s play Proof, and kicking the Swan into a new era of experimental production. It is an astonishing achievement, visually and intellectually….