THERE have been many stories, often taken from life, showing how great wealth, suddenly acquired, corrupts those in receipt of such a windfall.  One perfect example is Spend, Spend, Spend, the musical based on the rags-to-riches-to-rags story of Yorkshire housewife Vivian Nicholson who in 1961 won £152,319 on the football pools, and five husbands later…

FIGS in Wigs, the quintet of women who describe themselves as “dancing beings”, end their spring tour of Little Wimmin at Bristol. There are a few constants about the company – Alice Roots, Sarah Moore, Suzanna Hurst, Rachel Gammon and Rachel Porter. They dress identically, they wear wigs, they don’t take themselves (or much else)…

SINCE London Classic Theatre launched its touring company in 2000, it has taken on a very wide variety of plays ranging from classic Coward and Wilde comedies to Pinter, Joe Orton and Beckett. Tackling a 60-year-old full blown farce, albeit one that ran for seven years when first presented in London’s West End, means venturing…

AUGUST Strindberg’s 1900 play The Dance of Death sowed the seeds for a number of important 20th century works, notably Edward Albee’s Who’s Afraid of Virginia Woolf. It was brought to public notice in the UK by Laurence Olivier’s National Theatre production at the Old Vic in the late 1960s. Now a new version, adapted…

THE more you know about tennis at SW 19 the funnier you’’ll find the New Old Friends new show, Crimes on Centre Court, opening at Bath until 28 May prior to a national tour later in the year. One happy co-incidence is that Ben Thornton,  one of the quartet of actors, bears a long distance…

I FIRST got acquainted with the story of Waitress back in July 2007, at 20th Century Fox’s screening cinema in Soho. Later, the first copy of the film, on 35mm, was couriered down to Dorset on a motorcycle. Screen Bites, the food film festival we ran at the time, staged its first UK showing for…

THE idea of producing a satire on the birth of talking pictures bounced around Hollywood for years, with one or two modest versions being filmed, before it landed on MGM producer Arthur Freed’s desk in the early 1950s. After a few more twists and turns, Gene Kelly and choreographer Stanley Donen took up the challenge…

ONE of the most underestimated of Frank (Guys and Dolls) Loesser’s musicals, How to Succeed in Business Without Really Trying, is rarely performed in this country, in spite of a fine score full of hummable solo and chorus numbers. The book was too strongly based in American business culture and humour to appeal to an…

THE name of the French fin de siecle comic dramatist Georges Feydeau is synonymous with bedroom farce – but, in the age of #MeToo and the constrictions of cancel culture, is there still a place for his fizzy confections of mistaken identities and thwarted illicit pleasures? That may be the inevitable response to a Feydeau…

WHEN Jim Cartwright’s play The Rise and Fall of Little Voice opened 30 years ago, the performances of Alison Steadman and Jane Horrocks took the critical breath away from the London reviewers. Its impact continues, and several revivals have delighted audiences around the country and the world. Now a new production, starring Shobna Gulati as…