Reviews

Mary Stuart at Bath Theatre Royal

FRIEDRICH Schiller’s play Mary Stuart could hardly be more timely than in a mid-Brexit Britain teetering on an uncertain future with the threats of religious fanaticism and mindless violence filling our consciousness. Robert Icke’s stunning production for the Almeida, centering on and amplifying an imagined meeting between English Queen Elizabeth I and her cousin Mary…

Read more...

Milborne Port Opera, Trial By Jury and The Murder At Shakerley House

TWO of the silliest musical tales ever put on stage get a rousing, vivacious and thoroughly enjoyable performance by Milborne Port Opera in the company’s annual spring show at the village hall. Fresh from their triumph in the 2017 Giant Coarse Acting Festival with a 15-minute masterpiece of country house mayhem, MPO is performing an…

Read more...

Agnes Colander, Ustinov Studio, Bath

TREVOR Nunn’s first production at Bath Theatre Royal’s Ustinov Studio is causing excitement in the theatre world – a world premiere of a play written 118 years ago by one of the greatest writers of the late 19th and early 20th centuries. Harley Granville Barker’s early work, in a draft form, was found at the…

Read more...

The Flying Lovers of Vitebsk, Salisbury Playhouse and touring

I LAST saw Kneehigh at its tent base The Asylum, in the home county of Cornwall, in Midnight’s Pumpkin, the crazy adaptation of Cinderella, aimed at folk of all ages, and before that my experience had been outdoors in a couple of villages in Dorset, so I knew roughly what to expect, and was intrigued…

Read more...

The Importance of Being Earnest, Salisbury Playhouse and touring

OSCAR Wilde’s classic comedy of manners The Importance of Being Earnest must surely be one of the most enduring and best loved plays in the English language.  In this stylish production, from the Suffolk based Original Theatre Company, and with some well-known faces in the cast, it is not difficult to see why.  Who cares…

Read more...

Matthew Bourne’s Cinderella, Bristol Hippodrome and touring

HAVING seen Matthew Bourne’s latest ballet, The Red Shoes, last year, and Sleeping Beauty the year before, it was good to see how they compared with one of his older works, Cinderella, relocated by Bourne to the Second World War with Cinderella’s chance meeting not with a Prince but an RAF pilot, Harry, and with…

Read more...

Hansel, The Salberg, Salisbury Playhouse

EDITH, growing increasingly dotty with age, lives alone in a house in the Cornish woods, hoarding her rubbish and brooding.  Every three months her no-nonsense middle-aged daughter Viv descends on her from London, briskly taking over, clearing and cleaning, despite her mother’s feeble protests.  Outside in the woods lives a nameless runaway teenager, kept going…

Read more...

Top Hat, YAOS at the Octagon Theatre, Yeovil

TOP Hat started life as one of those classic Fred Astaire and Ginger Rogers films in the years leading up to the Second World War, only being adapted for the stage seven or eight years ago.  As might be expected, the plot line is pretty thin, but with its host of (mostly) memorable tunes by…

Read more...

Bronte, Swan Theatre Company, Swan Theatre, Yeovil

MY main source for knowledge of the life and works of the Bronte sisters is a chart-topping single by Kate Bush, so I was looking forward to learning more about this literary family this evening, in the safe hands of the company at The Swan. I have said before that I would happily watch them…

Read more...