“The only way of catching a train I have ever discovered is to miss the train before.”
― G.K. Chesterton

“The train bore me away, through the monstrous scenery of slag-heaps, chimneys, piled scrap-iron, foul canals, paths of cindery mud criss-crossed by the prints of clogs.”
― George Orwell, The Road to Wigan Pier

“Yes. I remember Adlestrop—
The name, because one afternoon
Of heat the express-train drew up there
Unwontedly. It was late June.”
– Edward Thomas, Adlestrop

“The aristocrats, if such they could be called, generally hated the whole concept of the train on the basis that it would encourage the lower classes to move about and not always be available.”
― Terry Pratchett, Raising Steam

“I had my own compartment – plenty of space, plenty of provisions, the grapes, cookies, chocolates and tea that made being on the Trans-Siberian like a luxurious form of convalescence.”
― Paul Theroux, Riding the Iron Rooster

“Was it worth keeping the Halt open,
We thought as we looked at the sky
Red through the spread of the cedar-tree,
With the evening train gone by?”
– John Betjeman, Dilton Marsh Halt

“Railways, like Daleks, have difficulties in getting up hills.”
― Ian Marchant, Parallel Lines: Or, Journeys on the Railway of Dreams

“This is the Night Mail crossing the border,
Bringing the cheque and the postal order,
Letters for the rich, letters for the poor,
The shop at the corner and the girl next door.”
– WH Auden, Night Mail

“Pardon Me boy, is that the Chattanooga Choo Choo?”
― Mack Gordon, Chattanooga Choo Choo

“For many country folk, the railway was Paris.”
– Catherine Hewitt, Renoir’s Dancer: The Secret Life of Suzanne Valadon

“Lord, that Hollywood train, forever coming round the bend!”
― James Baldwin, The Devil Finds Work:

Gaily into Ruislip Gardens
Runs the red electric train,
With a thousand Ta’s and Pardon’s
Daintily alights Elaine
– John Betjeman, Middlesex

2025 Railway 200 – the 200th anniversary of the modern railway

Let there be light …

THE West front of Salisbury Cathedral is one of the glories of Western architecture – and it makes for an astonishing backdrop as Luxmuralis return from 4th to 8th November with a breathtaking spectacle of light and sound – Sarum Lights: Lost Worlds.

This innovative light and sound show will take viewers on a journey through history, exploring ancient cultures and societies lost in the sands of time.

The visual show uses spectacular imagery from the ancient civilisations of Europe, while the cloisters will be illuminated with cave paintings and intricate patterns drawn from early cultures.

Inside the Cathedral, light and sound will transport you from the Garden of Eden to the church in the Middle Ages. Legendary lost worlds, from Atlantis to Troy, will also come to life in breathtaking displays of colour and motion.

Luxmuralis is an artistic collaboration that is one of the world’s leading exponents of fine art, light and sound installations. It is the artistic collaboration of Peter Walker, sculptor and David Harper, composer, who specialise in immersive fine art, light and sound installations around the UK and abroad.