SMUGGLERS, hidden treasure and ghostly apparitions – what more evocative glimpse of coastal Dorset in the 18th century. J Meade Falkner’s gothic novel was adapted for the stage in 2009 by the ever-compelling Angel Exit, and this year the company’s co-director Tamsin Fessey was invited to recreate the production with students from Arts University Bournemouth’s…
OTHELLO is not one of Shakespeare’s most frequently performed plays, and in recent years it has been condemned as racist, colonialist and generally suitable for 21st century audiences only with a black actor in the title role – and all about the men in it. American playwright Paula Vogel has taken the three women in…
EMMA Rice’s musical adaptation of Enid Blyton’s Malory Towers was one of the victims of COVID, opening in Bristol in autumn 2019. After a stop in Devon, the planned tour was scuppered. Now, happily, it is back on the road – refined, framed and better than ever, starting a new nine-venue tour at Bath. The…
WHO were the first women in the country to be paid equal wages for doing the same job as men? ATTAgirl if you know – because it was the female members of the Air Transport Auxiliary, a civilian organisation formed to ferry warplanes between factories, maintenance units and frontline squadrons. The largely unknown history of…
FORTY years ago, actors Roger Rees and Rick Elice wrote the “romantic-thriller” Double Double, in the same year that the film Down and Out in Beverley Hills was released. Both feature a rough sleeper who comes into a family home and upends the status quo. But Double Double, revived at Cirencester’s Barn Theatre until 28th…
LAURA Wade’s 2018 play Home, I’m Darling is all about keen traditionalists Judy and Johnny and their decision to sink their savings into creating the perfect 1950s home and lifestyle – only to be confronted with the expectations of the 21st century. Often hilariously funny and cinematically romantic, played on an authentically decorated set, the…
IT’s the sound of the prison that gets to you first, and that sound lasts through the interval and to the end, obliterated only by the songs. This new joint production of Kiss of the Spider Woman by Leicester’s Curve, Bristol Old Vic and Southampton Mayflower arrives on our stages as the world moves further…
LAURA Wade’s “radical reimagining” of Somerset Maugham’s 1926 play The Constant Wife opened at the Royal Shakespeare Theatre in Stratford last year, and is now on a UK tour that will end with performances on a Cunard transatlantic crossing on the Queen Mary 2. The tour is at Poole’s Lighthouse this week, moving on to Malvern…
MARK Leipacher’s adaptation of Patricia Highsmith’s novel The Talented Mr Ripley has already been on a lengthy journey before its arrival in Salisbury – from where the intention is a (well-deserved) West End run. This Faction production started life in 2015. Plans were scuppered by COVID, and it re-appeared, with a new cast, in 2025….
HOW a play written to fill a 70-seat theatre over the Christmas period, with such a restricted budget that four actors at most could be employed, turned into the second longest continuous London presentation, (13,232 performances and only The Mousetrap can boast a longer run) is quite a story in itself. That’s the history of…